Meet The Advisory Board
Nicole Page is a partner at Reavis Page Jump LLP, a woman-owned law firm in New York. Nicole counsels independent producers and production companies in connection with issues ranging from financing, rights acquisition, production and talent agreements, exploitation of ancillary rights, content licensing, fair use and clearance issues and an array of related matters. She routinely serves as production counsel and negotiates broadcast and distribution deals for film and television productions. In addition to entertainment law, Nicole has a robust employment law practice and as a result, found herself at the forefront of the #MeToo movement representing complainants in several high profile cases. As passionate advocate for gender equity, Nicole aims to provide women with tools and information they can use in their fight for equality. She regularly writes and speaks about legal issues both in the film and television industries as well as on structural and legal issues facing women in the workplace. Nicole is proud to serve as President of the Board of Women Make Movies.
Patricia Joseph is a Guild of Music Supervisors East committee member and has spent her career building and running A&R and synch divisions for record companies, publishing companies, and management firms such as Primary Wave, Crush Management, Razor & Tie Records and TVT Records. As a synch rep and branding executive she has secured hundreds of placements across every form of visual and interactive media for artists such as Sia, Weezer, Fall Out Boy, Panic at the Disco, MAX, White Sea, NIN and legendary catalogs such as Bob Marley, Toots & the Maytals and Whitney Houston. She has also music supervised films, TV shows and ad campaigns and produced over 120 soundtrack albums, building a strong industry network, working side by side with music supervisors, directors, producers, film studios, TV networks, game companies, trailer houses, ad agencies and brands helping create music and sonic solutions across all platforms. Her most recent endeavors are producing trailerized remixes under the moniker bitmastr with composer partner Brent Daniels.
Hailing from the bucolic English countryside, award-winning director Emily Anderson has spent her career telling people’s stories. She’s shot commercials for Incontinence pads, Ford Trucks, and Vodka which was her favorite job, as she got paid in it. Her documentary work has taken her all over the globe — reporting from the top of an Icelandic glacier, to filming in heavy surf in Mexico, to getting lost in the remote Australian Outback — but her favorite place to film is Montauk, where she calls home.